ETUDE DU MOUVEMENT VIA LA MACHINE, 2020
Installation, photography series
This series of photographs, capturing the movement of two girls against a dark background, conveys a striking impression of dynamism and energy. The project explores the question of motion capture by machines, as well as the limits of technology when it comes to conveying the very essence of human gesture.
By highlighting the imperfections, alterations, and distortions produced by the image-capture process, the work invites viewers to reconsider the complexity of the body in motion. It reveals how the translation of living movement into a technical image remains partial, unstable, and at times imprecise.
Through this exploration, the artists lead us to reflect on the way we interact with machines and on the growing influence of technology on our perception of the world. In this way, the project opens a dialogue between body, image, and technical apparatus, questioning the ability of contemporary tools to fully grasp human experience.




