Marked by memory and transformation, the body lies at the heart of this series. Fragmented, it appears in each work in pieces — partial presences that nevertheless recompose a sense of unity. This fragmentation of the female body becomes both a trace of violence and an attempt at reconstruction.

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By approaching destruction as a process of creation, the works question the violence inflicted upon women’s bodies as well as the forms of resilience that emerge from it. The fragmented body, the burnt and slashed canvas, and the words of real victims coexist within the same space, weaving a narrative that is both intimate and collective.

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On raw linen canvases, plaster takes on bodily form; it brings to the surface the traces of stories buried within them. The testimonies of women who have survived sexual and domestic violence rise to the surface — always legible, assertive, impossible to erase.

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The writing, inscribed in red, acts as a central element: it evokes blood and suffering, but also a vital force. This red becomes a sign of resistance and revolt, an affirmation that refuses silence and erasure.

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The alteration of materials echoes invisible wounds, revealing what persists after violence. From this destruction emerges a form of resilience: a presence that endures, a voice that remains, and that, despite everything, continues to rise.